BIGAKU is the philosophic discipline that studies the esthetic conditions in art and in nature.
Here we explore the development of Imogen Hope’s style, and her relationship between art and physical movement over the past three years.
One of her current projects, 気 Ki, combining painting and dance. 気 Ki is a Japanese concept that refers to a life force, similar to air and breathing. It is an energy that flows through the universe and everything in it.
Music plays an integral role in her work, and movement in the lines and form of Imogen’s paintings appeared long before she began dancing, as if subconsciously she was already paving the way to her natural transition into exploring the conversation between visual and physical language.
“I don’t usually plan a painting in advance, but shapes, movement and colour do appear in my mind. I love to paint freely and not set up concrete intentions.”
Continually discovering and studying the world, Imogen strives to translate her experiences into a rich, complex, universal language of visual perception, with the hopes that, in some way, it may stimulate and illuminate others through a thoughtful and emotional experience.
BIGAKU is the philosophic discipline that studies the esthetic conditions in art and in nature.
Here we explore the development of Imogen Hope’s style, and her relationship between art and physical movement over the past three years.
One of her current projects, 気 Ki, combining painting and dance. 気 Ki is a Japanese concept that refers to a life force, similar to air and breathing. It is an energy that flows through the universe and everything in it.
Music plays an integral role in her work, and movement in the lines and form of Imogen’s paintings appeared long before she began dancing, as if subconsciously she was already paving the way to her natural transition into exploring the conversation between visual and physical language.
“I don’t usually plan a painting in advance, but shapes, movement and colour do appear in my mind. I love to paint freely and not set up concrete intentions.”
Continually discovering and studying the world, Imogen strives to translate her experiences into a rich, complex, universal language of visual perception, with the hopes that, in some way, it may stimulate and illuminate others through a thoughtful and emotional experience.
BIGAKU is the philosophic discipline that studies the esthetic conditions in art and in nature.
Here we explore the development of Imogen Hope’s style, and her relationship between art and physical movement over the past three years.
One of her current projects, 気 Ki, combining painting and dance. 気 Ki is a Japanese concept that refers to a life force, similar to air and breathing. It is an energy that flows through the universe and everything in it.
Music plays an integral role in her work, and movement in the lines and form of Imogen’s paintings appeared long before she began dancing, as if subconsciously she was already paving the way to her natural transition into exploring the conversation between visual and physical language.
“I don’t usually plan a painting in advance, but shapes, movement and colour do appear in my mind. I love to paint freely and not set up concrete intentions.”
Continually discovering and studying the world, Imogen strives to translate her experiences into a rich, complex, universal language of visual perception, with the hopes that, in some way, it may stimulate and illuminate others through a thoughtful and emotional experience.
For creative professionals and artists to access opportunities of collaboration and promotion in physical spaces in Europe.
BIGAKU is the philosophic discipline that studies the esthetic conditions in art and in nature.
Here we explore the development of Imogen Hope’s style, and her relationship between art and physical movement over the past three years.
One of her current projects, 気 Ki, combining painting and dance. 気 Ki is a Japanese concept that refers to a life force, similar to air and breathing. It is an energy that flows through the universe and everything in it.
Music plays an integral role in her work, and movement in the lines and form of Imogen’s paintings appeared long before she began dancing, as if subconsciously she was already paving the way to her natural transition into exploring the conversation between visual and physical language.
“I don’t usually plan a painting in advance, but shapes, movement and colour do appear in my mind. I love to paint freely and not set up concrete intentions.”
Continually discovering and studying the world, Imogen strives to translate her experiences into a rich, complex, universal language of visual perception, with the hopes that, in some way, it may stimulate and illuminate others through a thoughtful and emotional experience.
.png){kind=small}
